
Think like a drummer or a strummer: program beats, riffs and fills that sound like… well… beats, riffs and fills. A programmed rhythm section usually sounds programmed: hi-hats at the same velocity from top to bottom, a bassline that never answers the kick, a guitar part no guitarist would play. This course is about the difference - how drummers, bassists and guitarists actually approach their parts, and how to get that into a sequencer.
Over 18 hours you take each in turn: drum patterns and fills that groove, stringed parts with phrasing and musicality, and the habits session musicians bring to a take. You leave with a rhythm section that holds a track together rather than sitting under it.
In Portland this course is deliberately small: a handful of students, one working producer, and plenty of time on the equipment. If getting to the studio is not practical, the same classes run live online, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“I came into the program with no idea how to work Logic, and after the intensive week, I worked out programming beats, using loops and samples…I feel like I can take my music to the next level now. Thanks :)”
Christy Thompson
Building authentic drum patterns and fills, writing musical guitar and bass parts, picking up session musician technique, and locking in the rhythm section as your track's foundation.
Producers who are already programming beats and basslines but want them to feel less mechanical and more like a real band recorded them.
Yes - 11 hours of 1-on-1 instruction is available through the Rhythm Section Programming Private Instruction page.
No - none of that is required to follow the course.
Hit the "Connect" button and a placement expert will get back to you within a business day.
$799 + $100 Registration if booked 14 days before start or $999 + $200 Registration
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