Radio & Podcast Class | Portland
Course — Portland

Radio & Podcast Class | Portland

At a glance
Duration
18 hours
Format
In-person in Portland or Live Online
You leave with
Your first show, made and ready to publish
Both sides
The production skills and the art of talking into a microphone
And then
How to sell yourself once the show exists

Radio & Podcast Course

With the emergence of online radio stations and music platforms, modern day technology allows people to host their own radio show or podcast from the comfort of their home. So whether you're a DJ, a producer or even a complete beginner, this course has everything you need to produce and sell your own radio show or podcast. If you make the grade after assessment, you will be invited to host a guest spot on Wild1 Radio, which could lead to a permanent radio show. To learn more and request information on the schedule, click here.

In Portland this course is deliberately small: a handful of students, one working producer, and plenty of time on the equipment. If getting to the studio is not practical, the same classes run live online, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.

Introduction and Equipment

  • →Regulations and laws about music copyrights.
  • →What you need to produce a radio show?
  • →What’s the difference between a radio show, a podcast, and a classic DJ mix?
  • →Different types of radio shows.
  • →DJ and radio history.

Building Your Show

  • →Lay down your voice on a beat.
  • →Prepare an interview.
  • →Conduct an interview.
  • →Find a guideline to your show.
  • →Write a detailed show outline.
  • →Find relevant topics to discuss.

DJ Skills

  • →All about cue points.
  • →All about radio/DJ tags in your mixes.
  • →How to do a music transition.
  • →Creating playlists.

Production Skills

  • →Recording with Serato or Traktor.
  • →Record your mixes and voice on your DAW.
  • →Recording and mixing levels on your DAW.
  • →Producing your own Radio/DJ tag.

The Art of Talking into the Microphone

  • →Test and adjust microphone levels.
  • →How to talk in a microphone to set the mood.
  • →Apply FX on your voice.
  • →All about microphones.

Your First Show

  • →Recording your pilot show.
  • →Post production and edits.
  • →Mastering.

Sell Yourself

  • →Select the right platform to put your show on.
  • →Getting yourself out there.
  • →Radio and podcast SEO.
  • →Find a catchy name for your show.
Testimonials

What our students say.

“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”

Mark Jenkyns

Instructors

See more here

Good to know

Questions we hear a lot.

Tuition

$799 + $100 Registration if booked 14 days before start or $999 + $200 Registration

Ready to get started?

Inquire
From the blog

Which DAW is better – Logic, Pro Tools, FL, Ableton or Cubase?

When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A

Read →

Creative EQ Tips

Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i

Read →

Ableton Lessons London | How To Use Ableton Live

A Logic user's take on learning Ableton Live - why it gets results faster, and how the two work together when rewired.

Read →

1994 - A Great Year for Dance Music

Whilst sitting reading the latest music news in Garnish HQ, it became more and more apparent what a special year 1994 was for British dance music. With so many clubs, labels and promotions celebrating 20 years in the game during 2014, it’s pretty obvious that something special was stirring in the wa

Read →

Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit

Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip

Read →

Pete Waidson & Michael ‘The Fox’ Gleeson – Toolroom records release

In January Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A

Read →