
Mixing & Mastering Course – Make Your Tracks Sound Pro
Struggling to get your mix to sound polished and powerful? Know the basics but your tracks still don’t bump like they should? You’re not alone—and our Mixing & Mastering Course is designed exactly for producers like you.
Prerequisite: This is an intermediate-level course. You’ll need a solid understanding of your DAW and the basics of music production. Not quite there yet? Take one of our DAW courses first—or reach out and we’ll help you figure out where to start.
In today’s crowded music landscape, a clean, professional mix isn’t just nice to have—it’s essential. If your productions lack depth, clarity, or that final touch of finesse, we’ll show you how to fix it. Since 2010, we’ve been teaching producers how to elevate their sound using a mix of classic engineering techniques and cutting-edge tricks.
Whether you’re mixing house, hip hop, pop, or cinematic soundscapes, this course will help you dial in a professional sound—fast.
Available in-person worldwide or LIVE online. All learners must bring a laptop with their DAW of choice installed.
In Portland this course is deliberately small: a handful of students, one working producer, and plenty of time on the equipment. If getting to the studio is not practical, the same classes run live online, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“I won't change anything. I learned and enjoyed a lot! Good location and neighborhood, nice people and easy parking.”
Mono Villa
An introduction covering A/B comparison, leveling, EQ, brick wall limiting and the best metering tools to use.
You'll want more than the basics - this is an intermediate course, so a solid grasp of your DAW and production fundamentals is expected going in.
36 hours, or 20 hours 1-on-1.
Yes - the course is available in-person worldwide or Live Online.
Yes - see Mixing & Mastering Private Instruction.
$1499 + $100 Registration if booked 14 days before start or $1799 + $200 Registration
Chambers, springs, plates and digital reverb - what each parameter does, and how to place a sound in a space without drowning the mix.
Read →Mastering is a vital part of the recording process, so much so that a substantial amount of ‘mystery’ is associated with it. We’ve all heard stories of…
Read →Comping, tone control, mic modelling, de-popping, pitch correction, compression, reverb and delay - the full vocal chain, start to finish.
Read →A mix is not a set of static positions. Fader rides, send moves, section steps and the four automation modes - plus the override that catches everyone.
Read →Mid is what the two channels share, side is what they do not. Splitting a mix that way lets you treat the centre and the edges separately - and it is the most common professional move that never appears in a beginner's mix.
Read →The human ear uses compression for pretty much the same reasons that we do in music, that being to control the level of an audio signal. As you may…
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